Sunday, July 24, 2011

My Favourite Things...

My favourite Bergamot Tea:
Earl Grey Tea, Fortnum & Mason, London, England


My favourite breakfast:
Eggs Benedict shared with someone special!



My Favourite Italian Pasta:
Carbonara a la Gaida De Laurentiis



My Favourite 101 Basic Thing to Know:
Formal and Informal Place Settings



My Favourite Piece of Furniture:
French Settees



My Favourite Fabric Pattern:
French Toiles



My Favourite Room Accessories:
Kravet Fabric made into pretty things!!!



My Favourite Entrepreneur:
 Coca Chanel, 1883 – 1971
French fashion designer whose modernist
philosophy and menswear-inspired clothes changed women's everyday fashion.
Famous for creating women's suits and trousers.


My Favourite Fashion Iconic Dress - Yves Saint Laurent
"Mondrian" day dress, autumn 1965





 
My Favourite Actress:
Audrey Hepburn 1929 – 1993
 
 
 
 
My Favourite Read on a Sunday Morning:
The New Yorker Magazine...especially the cartoons.  :-)




My Favourite Exhibit lately:
Grace Kelly's Wardrobe,Victoria & Albert Museum
London, England 2010



My favourite place to be at Christmas Time:
La Grand Place, Brussels, Belgium

Sunday, July 17, 2011

Artisitic Inspirations


Sometimes all we really need is to be plopped down into a different environment to make us rethink our current situations. A day spent at a beach can refresh us for one month - a day at a spa, a funky night club, or dining in an unbelievable restaurant. Anything uplifting can switch something on inside of us, that normally might have been kept dormant. Original ideas inspire us to create unique things in our own lives. I like to think of it as a creative ripple effect. If you see inspired design, fashion or beauty - you will inevitably create inspired design, fashion or beauty. That is exactly the reason why I love to be in cities where there is a lot to take in.  I especially love it when women and men dress beautifully and the buildings are awe-inspiring. I feel enlivened to put outfits together that I would have never thought of, paint new things, or copy the region's flavourful food. There's never too much inspiration to go around, it's highly contagious!


Inspirational Example No. One

Jacqueline Kennedy-Onassis 1929-1994
A Style Icon that influenced many fashion
designers and still inspires women today. 


 Kate Middleton - England's Newest Duchess. 
She epitomizes English tailorship and knows
how to put a great outfit together. 



Inspirational Example No. Two
Art Nouveau
1890-1905

Who would have suspected that the fresh look of Art Nouveau was cultivated from a single artist's imagination?  Czech artist Alphonse Mucha illustrated a play poster and posted it in the streets of Paris, where it became an overnight sensation. Parisians referred to the original artistic approach as: Style Mucha.  Mucha's inspired lithographs in 1885 acted as a platform for other artists to interpret their own creations. 


 Art Nouveau (French for "New Art"), became an international
movement and inspired artists such as Gustav Klimt and furniture
designers like Charles Rennie Mackintosh and Louis Comfort Tiffany. 

Gustav Klimt 1862-1918, Austrian Symbolist Painter

Charles Rennie Makintosh's Chair Designs and Fabric Print



Louis Comfort Tiffany Lamp circa 1920


The highly stylized and free flowing lines of floral motifs refined it's way into the architecture of Victor Horta in Belgium and Antoni Gaudi in Spain.  Gaudi's architecture was exemplified by
Art Nouveau but was based on his own experience with the ocean.  Just another example
of how inventiveness leads to a myriad of imaginative artistry.


Victor Horta Stairway, Brussels, Belgium



Antoni Gaudi 1852-1926, Barcelona, Spain, Parc Guell



Inspirational Example No. Three
Impressionism

At the turn of the 20th Century, many things were about to change in Paris- thanks to a group of artist's known as The Impressionists, who would revolutionize the academic art of their time.
 By coming together and influencing each other's thinking during exhibitions and cafe meetings at places like Cafe Guerbois, The Impressionists made their mark in history.


 Inspired by Eugene Delacroix's work, artists such as Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Frederic Bazille, Charles Gleyre, Camille Pissarro, Paul Cezanne, Armand Guillaumin and Edgar Degas took to en plein air, and captured their sensations of the modern world on canvas.  They broke the rules of stuffy still life painting, and began painting with shorter, more colourful strokes - revolutionizing an artist's way of seeing his or her subject matter.  Not only was artistry changing, but Impressionists were inspiring and were being inspired by what was happening outside of the exhibitions.

Claude Monet


  Science was undergoing a revolution of it's own, compliments of Thomas Atom, Ernest Rutherford, Niels Bohr and later, Louis de Broglie.  It seemed as if everyone was interested in light, waves and energy.  Claude Monet's paintings are prime examples of how sunlight attributes to how we perceive the world around us, just like the scientists who were trying to understand our world in a very different way. 





 Impressionism led to creating harmonies in music differently,
as one can hear by the works of
Claude Debussy and Maurice Ravel. 


Clair De Lune, Claude Debussy, 1862 –1918 French composer

Virginia Woolf, also influenced by Impressionism,
described her character's mental health
in a different way by placing importance on their
sensations rather than the author's interpretation. 



The wave lengths of Impressionism bred new artistic
movements such as Neo and Post-Impressionism,
Fauvism (The Wild Beasts) and Cubism.




Inspirational Example No. Four
The Italian Renaissance

Last but not least - the Rivalry between Leonardo Da Vinci and Michelangelo became the world's most beneficial arrangement. Competing for commissions roused creativity from both contending alliances. After considering the results, The Italian Renaissance was undoubtedly the most optimal creative period of all time. It sparkled with effervescence and narrated a perfect sophistication.


Wednesday, October 20, 2010

Langdon Hall, A Gem in our Backyard...




Have you ever thought to yourself: How am I going to enjoy this beautiful Sunday morning? Undoubtedly, without any question, I highly recommend starting the week off on the right foot.  Which has to be, sitting on Langdon Hall's patio, under a tree, and ordering eggs benedict smothered in hollandaise sauce on a delicious english muffin with champagne and strawberries in Cambridge, Ontario, Canada.  Beyond question, the time you linger there will turn into early afternoon before you will deem yourself deserving to take a walk in the fields on the estate. 



Rooms are playfully named, like "Bitter Sweet" given to the Attic Suite.  My heart fluttered when I saw the quality of the woodwork craftsmanship in the bathroom.  I loved the linens, and the upholstery which matched the roman shades - of course, in yellow and red toile.  You know you're in a distinguished hotel when you have two or three pillows to yourself!

Even MORE refuge - Spa Services at your Finger Tips.

As their website states, Experience the Prestige of Langdon Hall.

all photos copyright Langdon Hall

Saturday, October 9, 2010

The Secret of happiness is...

Originally starting this blog, I wanted to reserve my entries for design related topics only.  However, freelance designing takes a lot of inspiration and courage to conjure up business and contacts.  In order to become inspired or to build courage, it takes an incredible amount of freedom and creativity to set the wheels in motion.  I guess what I want to really write about today, is the great feat it is to be present enough in ones' life to be able to commit fully to your dreams and hang onto them until they come true without the hard times discouraging you.  Being present means that you are able to live your best authentic life without fear of who's looking, or what other people may or may not be thinking.  It also means that the moment we are living in now, is the only time that matters, where everything and anything is possible.  IF you let it.  I challenge you to ask yourself what is in the way of living your authentic life, if you're not living it already?  Fear of criticism? Putting another person's needs in front of your own?  Not acknowledging your centermost truth?  Fear of hurting others?  Sometimes, unbelievably, it's even fear of success or the sadness one may encounter after a project is complete - the time when you have to say good-bye to an accomplishment, dig down deeply, and find something else that you would like to see arrive in your life.  The fear of letting go, the fear of saying farewell to a comfortable, but non-productive habit.  Anything can keep us from feeling present. 

I can give you a long list of things that make me feel present.  I try to recreate these times so I can walk in the moment, fully aligned - without regretting anything in the past, or fretting over the future.  Looking back on how the years fly by, these relaxing things can bring me back to centre, slow things down, and breathe in the moment.

Anything outdoors.  Yoga.  Exercise. Being near water.  Traveling.  Cooking. Taking pictures.  Listening to uplifting music.  Learning something new.  Reading a book.  Contacting friends.  Making new memories.  Just to name a few - I think you get the point!

If we control only what we can, make our best baby step efforts that lead us in the right direction, focus on our truthes, and live in the here and now - anything is possible.  Our job is to do our best right now, and it's the universe's job to let it reach people's hearts.


I felt really in the moment visting
Princess Diana's memorial this summer...



Spending time in a garden...



Taking pictures, trying new things...




And, not worrying what the future holds.....I promise you, when your head and heart are aligned, and you are living your life with what looks like bright, lit up field lights at night - everything will fall into place.

Friday, September 3, 2010

Versailles, The Palace of the Ancien Régime

If you have never had the chance to explore The Palace of Versailles (pronounced "Vair-sigh"), I urge you to make time to become moved by this marvelous palace. Initially Louis XIII's hunting lodge, it was commissioned to be transformed in 1681 by his son Louis XIV, and is now considered to be one of the most beautiful palaces in the world.  

The village of Versailles was set in the French countryside. However, today it is a suburb of Paris, twenty kilometers southwest of the French capital. The Versailles Royal Court was the center of political power from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. By the standards of the 18th century, Versailles was a very modern European city and was used as a model for the city template of Washington DC by Pierre Charles L'Enfant. 

Not only do you get to witness the massiveness and intensity of the Palace's sheer omnipotence, but standing from the Chateau, overlooking the 1,670 metres long Grand Canal, you will be overpowered by the outstanding commitment and remarkable dedication to 17th century perspective and land survey.  It feels as if you are looking through a magical glass at the earth before you.  ("Breathtaking" is the only word I can think of to describe the view.)  André Le Nôtre's idea of transforming the east to west perspective into a long light-filled sheet of water, created a host environment for many nautical scenes during Louis XIV's reign. It took up to 200 gardeners to maintain the sensational canals and gardens at Versailles.

Inside the Palace, there are over 700 rooms that housed up to 20, 000 nobleman before King Louis XVI was overthrown. Most notably, his wife, Princess Marie-Antoinette from Austria.  Her entertainment eccentricities at court and her flare for fashion forwardness were apparent targets during The French Revolution.  She revived the grand balls and was in charge of the court's theatrical heart beat.  Marie Antoinette was a freethinker and was limitlessly inspired by The Enlightenment. She hired artists, musicians, architects and furniture makers, all responsible for leaving their remarkable footprint at the Palace. Today, you can visit Marie Antoinette's separate Estate at the Petite Trianon and sojourn in her very own hamlet on the Versaille grounds.  Her private quarters and country house were solely dedicated to her distinctive and refined lifestyle, away from the ''uptight'' ancien régime at court.


Marie Antoinette can be held accountable for edifying Rococo’s flowing lines into the classicism and simple streamlined designs we see in Neoclassicism. (A revived period style after discovering the Roman cities of Pompeii and Herculaneum in 1748.)


The Latin word Versare, meaning "to make more of, to keep on turning a new leaf."


All photographs copyright http://en.chateauversailles.fr/homepage

Wednesday, August 11, 2010

Wait! How to Use 2010 Colour Trends.

For years, Interior Decorators and Designers have been witness to colour trends that come spiralling out of at-home style magazines, paint companies and forecasting systems such as the one that Panetone publishes. Personally, I find it much more fun to watch what the fashion world is doing, and reference those textiles, textures and colours into interiors. (But, I don't think I'm the only one onto this secret!) Of course, there are classic colour schemes and finishes used in spaces that can be dated back to The Roman Empire, but what about today? What makes us pick a certain paint colour? Is it the mood that it can achieve? Is it our mood? How do we really know if we can live with a colour scheme for years to come? I'm afraid that many colour trends and schemes that are issued annually by paint companies, can confuse a lot of people. It can seem intimidating to be sure where to place certain colours, and in what quantities. I can honestly attest to making this same mistake in my own house. I overly commit myself to a wall colour, without thinking about what is actually going to be in the room! Let's take a step back and re-evaluate how all of the colour marketing can work for us in our own home.


Room by Kelley Proxmire, 2008 DC Design House

First of all, when guests walk into your finished space, what do you want them to comment on first? The wall colour, your furniture, or the fabric you choose for the cushions, or drapery? If you choose a bold paint colour, or wallpaper for the walls, it will definitely be the first thing that people will notice. Therefore, you just produced a room that has a high amount of colour saturation. No problem! Choose contrasting fabrics, furniture, or flooring to balance the space.  In the above room, they decided to place the colour on the walls and used the drapery, bedding and carpeting as contrasting pieces to create balance.

How about starting out with a fabric that you love (instead of a paint colour), and then using that as a jumping off point? That seems a little less intimidating, right? If you know that you love the fabric already, it should make perfect sense that the room it fits into will be loved just as much for years to come. The walls can be light, medium, or dark, depending on which mood you would like to create. Lighter colours make a room feel airy and healing. Medium colours create a cozy feeling, while darker shades can stir up feelings of drama and intensity.

Use an interesting pattern for your jumping off point that has a lot of colourways, so it is easier to pull out a paint colour.
Bird Silk Fabric at:

Sample of Light Tone pulled from Bird Fabric for Wall colour:
House White 2010
Farrow & Ball




 


Sample of Medium Tone pulled from Bird Fabric for Wall colour:
Cream no.44
Farrow & Ball






 
Sample of Dark Tone pulled from Bird Fabric for Wall Colour:
Oval Room Blue no.85
Farrow & Ball



 
The next time you see a chic room, you should ask yourself:  How did they do that? What do you see first, and why? Is the ‘Wow Factor’ solely based on the wall colour, just the fabric, or a combination of both? What feature is being played up, and how can you do that in your own home?

Keep in mind, when you see marketing brochures for colour forecasting, the palettes don't necessarily have to refer to "paint colours." You can choose any colour from the palette, and use it for any item in your room. Whether placed on walls, used for accessories or furniture, carpet, fabric, built-ins, trimwork...the possibilities are endless.

Here are my favourite 2010 colour combinations from FARROW & BALL that I consider to be classic palettes for years to come.

Industrial
A strong but fragile fusion of colour.

Inspired by industrial architecture, this look is all about modernity mixed with tradition. Old and new are combined in an urban palette of muted tones that mimic the earthy shades of natural materials such as stone, clay, chalk and brick. Team soft grey based neutrals such as Cornforth White® No.228 and Pavilion Gray No.242 with intense and inky darks such as Off-Black No.57 and Down Pipe No.26 to create a contemporary scheme. The deep, dramatic hues are accented and uplifted by splashes of vibrant, zestful colour with citrus shades such as Babouche® No.223 or Orangery No.70.


AQUATIC
Soft, watery palette defined by the elements.

This is a gentle, tranquil scheme. Subtle, natural colours are starkly contrasted with strong inky blues and combined with the reflective qualities of light, glass and mirrors for a diluted, watery look featuring freshwater tones. Try Strong White® No.2001 or James White® No.2010 teamed with the soft Pavilion Blue No.252 or Tunsgate Green No.250, and underpinned by Blue Ground® No.210, Drawing Room Blue No.253 or Hague Blue® No.30.

GLITZ & GLAMOUR
A decadent look that celebrates excess.

In complete contrast to Urban Decay, this look is all about wealth and indulgence. Use rich and opulent shades like Brinjal® No.222, Pitch Blue® No.220 and Churlish Green No.251, alongside shimmering gold and metallics for an extravagant feel. This glamorous, glitzy look has a Middle Eastern influence, so colours include exotic shades which combine and collide in a celebration of colour and excess. Try Porphyry Pink® No.49, Brinjal® No.222 and Churlish Green No.251; a riot of colour with an adventurous twist. Key to this look is the myriad of colours – definitely not for the faint-hearted!

NATURE
Bring the outdoors in.

This look is heavily influenced by the environment, but with an urban twist. Soft greens such as Vert De Terre® No.234, and French Gray No.18, can be used with earthy browns such as Mouse’s Back® No.40 and Light Gray No.17, yet key to this look is the sudden introduction of chemical shades which should collide rather than combine. Think rural luxury meets city living. Experiment with paint finishes for a dramatic effect - try powdery Casein Distemper alongside high sheen Oil Full Gloss.

(Above 4 images and image text copyrighted Farrow & Ball.)